“Rebecca L. Hargrove delivered one of the best-ever examples of female vanity in her major aria “The Sun Whose Rays are All Ablaze”. She provided plenty of humor in her on-again, off-again intention to wed our hero, depending on whether she would be buried alive, a situation handled with dry British humor.”
— Voche di Meche

Yum-Yum in The Mikado, New York Gilbert & Sullivan Players’

“Hargrove brought the house down with Yum-Yum’s delightfully unselfaware monologue about how she doesn’t suffer from vanity.”
— Rebecca Kaplan, Broadway World
“Standout musical performances included Rebecca L. Hargrove (Angelina -the plaintiff) in “I Love Him, I Love Him”
— Sharon Ellman, Broadway World

Angelina in Trial by Jury, New York Gilbert & Sullivan Players’

“Standout performances were the female leads in both productions—Rebecca L. Hargrove and Michelle Seipel, whose voices soared above the packed stage.”
— -Walter Murphy, Theater Pizzaz

Acquanetta by Michael Gordon at Bard Summerscape

The Mother, in The Grey Land, by Joseph C. Phillips world premiere at Roulette Intermedium

“The soprano Rebecca L. Hargrove sings the sole role, portraying a black mother struggling to raise her son in modern America.

”
— Steve Smith (The New Yorker). The Grey Land